Cocurated by Lisa Small, Senior Curator of European Art at the Brooklyn Museum, and Melissa Buron, former Director of Curatorial Affairs at the Fine Arts Museums of San Francisco and current Director of Collections and Chief Curator at the Victoria & Albert Museum, London, the exhibition offers a rare opportunity for visitors to experience Monet’s unique vision of the fabled city.

“In 10 weeks in 1908, Monet captured Venice’s ethereal cityscape in shimmering canvases, creating works unlike anything produced by the centuries of artists who painted the city before him,” said Thomas P. Campbell, Director and CEO of the Fine Arts Museums of San Francisco. “Exploring Monet’s alongside other artists’ paintings of Venice deepens our understanding of his innovations in capturing atmospheric effects on canvas and the enduring inspiration of the Venetian lagoon. We are grateful to the Brooklyn Museum for their collaboration in bringing this exhibition to life.”  Monet himself once remarked that Venice was “too beautiful to be painted,” and it is perhaps this very beauty, and the city’s fame, that has obscured the significance and daring nature of the works he produced there. Often overshadowed by his iconic depictions of the French landscape, Monet’s Venetian works are among the most luminous yet underexplored of his career.

Monet himself once remarked that Venice was “too beautiful to be painted,” and it is perhaps this very beauty, and the city’s fame, that has obscured the significance and daring nature of the works he produced there. Often overshadowed by his iconic depictions of the French landscape, Monet’s Venetian works are among the most luminous yet underexplored of his career.